Films 2019 Animated
First things first: Animation is not a genre, but a medium — one that's constantly asked to prove itself despite having created some of the most moving, lucrative, and long-lasting stories in Hollywood for decades. With technology and artistry only fusing even closer together, animation's opportunity to present eye-opening and emotional stories has exploded, and some of those prime possibilities are on display in the films of 2019. It's a year full of crime capers and globe-hopping adventures and family feuds and ensemble musicals, with maybe even a stop-motion drama or two about the entire evolution of humanity. These films don't share a genre; they share an art form. 's highlighted a f animated features worth geeking out about this year.
One of the more disruptive animated successes of the past decade has already birthed its healthy share of spin-offs, but it’s taken five years (and rightfully so) for a direct sequel to 2014’s
To arrive. Even with promising n voices (like Tiffany Haddish as the film's most prominent ncomer, a shapeshifting alien queen), expectations are understandably high for
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Director Dean DeBlois' adaptation-and-then-some of Cressida Cowell's book series has resulted in the most underrated animated film trilogy of the decade. The saga of Hiccup and his dragon Toothless comes to a close with an ultra-emotional (even by
Standards) finale that will put the pair's story to bed for good. DeBlois has hatched a conclusion as epic in scope as his whole decades-spanning Viking bildungsroman, and early critical revis are already catching on, hailing the film as a top tearjerking contender. After flying under the radar for almost 10 years, proper praise for DreamWorks’ flagship fantasy trilogy is long overdue, lest fans unleash their (night)fury.
In any year, an offering from the stop-motion artisans at Laika should demand attention, but there’s a special electricity in the air about the studio following its achievement with 2016’s incredible
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. That film's writer, Chris Butler, is a rising name worth getting to know, especially as he now takes on sole directing duties (he co-directed
) for Laika’s fifth feature film: a curious myth-busting take on the entirety of human evolution, which fittingly culminates in a voice cast led by modern specimens Hugh Jackman, Zoe Saldana, and Zach Galifianakis.
Here’s an ugly n franchise that’s bound to be ubiquitous. The body-positive doll line that’s long been a staple with the Hot Topic crowd is, ironically, getting a Hollywood makeover for the kid demo from STX, Original Force, Robert Rodriguez's Troublemaker shingle, and director Kelly Asbury (a longtime animation vet with roots as far back as
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). The project has been floating around for some time, but it’s finally shaped up nicely into a promising little bauble, with a thematic timeliness and musical A-list cast (including Kelly Clarkson, Nick Jonas, Janelle Monae, and Blake Shelton) primed to give this story and its soundtrack a helpful zeitgeist lift.
Has curried the favor of the internet thanks to an extremely memeable trailer that ratcheted up the excitement for this unexpected and peculiar expansion of the 20-year-strong Pokémon world. That world, by the way, has never been bigger thanks to social media, so massive returns (if not a dozen more memes) should be caught by this brilliantly-devised Warner Bros. and Legendary joint, wisely arriving a f weeks removed from
's sequel, also adds a major character addition in Tiffany Haddish, this time as a Shih Tzu named Daisy). Illumination’s fast-tracked follow-up to its formidable 2016 box-office-buster may chart a familiar narrative path with its circus-animal rescue mission, but the sequel will hopefully buck the clichés of the first movie’s lost-in-N-York adventure and, if nothing else, earn at least one treat for swapping out Louis C.K. with Patton Oswalt (as the film's Terrier protagonist, Max).
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Ensemble for a franchise restart after the conclusion of Andy’s Trilogy in 2010. Now happily at the service of adorable toddler Bonnie, Woody and friends will take their longest journey yet (a road trip!) in
, which should intrigue fans who are eager to see where first-time feature director Josh Cooley takes the beloved cast. Production delays have shrouded the project in a modicum of mystery, but what we do know so far — a kick-ass Bo Peep revise, a promising carnival pitstop, and actors like Tony Hale, Jordan Peele, and Keegan-Michael Key among the even crazier voice reveals still to come — has our pullstrings at the ready.
, went on to become only Japan’s fourth-highest-grossing film of all time (with a live-action remake from J.J. Abrams nigh in the U.S.). So don’t be surprised if CoMix Wave's
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, which follows a student who gets mixed up with a city girl who has the power to control the weather, forges another ferocious path in pop culture with its similarly supernatural romance vibes.
Fans nor detractors have likely shifted much on their opinion of the app-turned-everything behemoth since 2016, when the franchise went Big Hollywood with an expansion to film that was, like most of its many offshoots, fairly successful. The sequel ought to do roughly the same this crowded summer — with the same leads (Josh Gad, Jason Sudeikis) and a handful of compelling n voice additions (Nicki Minaj, Rachel Bloom, Leslie Jones, Sterling K. Brown) wobbling the box office if not quite knocking it down entirely.
Will be plentiful, but the film’s first-time feature director Lino DiSalvo comes armed with a durable Disney pedigree (most recently as head of animation on
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). More excitingly, the movie's intriguing first trailer already shows the signs of a quirky wit and comic physicality looking to serve as key ingredients (or building blocks, whatever) to its potential success.
Secret. Agent. Turns. Into. A. Pigeon. If the logline itself doesn’t immediately trigger you as a compelling filmgoing experience, perhaps Blue Sky’s latest may win you over with its other assets: a n character from the endless well that is Will Smith (as the aforementioned spy-squab), a curious little bit of corporate partnership with Audi (whose first digital concept car, the RSQ E-Tron, will help the aforementioned pigeon-man travel around in style), or the happy return of Tom Holland’s ever-delightful American accent. If you decide to see any other film this September, be sure to ask yourself: does anyone turn into a pigeon in this one? And if not, why?
Have already shown off their dark edge, which is exactly what you’d hope from any filmmakers taking a stab at Charles Addams’ iconic comic creation. Sending the creepy, kooky Addams clan back to their animated roots should be cause enough for anticipation, but a juicy premise (the family squares off against a reality host played by Allison Janney) and an impeccable voice cast (Oscar Isaac as Gomez and Charlize Theron as Morticia!) make MGM’s family reunion one worth attending, possibly two or three times.
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Nick Park’s character Shaun the Sheep never quite reached the same levels of adoration in the United States as his Aardman Animation cohorts Wallace and Gromit (and
Deserved better, too), but the livestock is still quite alive in the U.K., where his second stop-motion feature film will land this fall with a rascally alien-cum-apocalypse twist. Beam the U.S. up too, please, when you get a chance.
The internet may not have loved the film’s first look at a long-limbed live-action Sonic, but the real promise of Sega and Paramount’s animated hybrid lies in the thrilling voice cast anyway. The effortlessly energetic Ben Schwartz is the perfectly personality to give n life to the speedy video-game hero, and the comedy is compounded by Schwartz's adroit scene partner, Jim Carrey as Sonic’s archrival, Dr. Robotnik. Throw in a gloriously live-action James Marsden (whose humor in
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More than sets the scene for him here) and suddenly Sonic’s bone structure is far from the most compelling reason to hit this wild road.
Call it the Disney Reclamation — a decade of evolution marking a n era for the animation studio, one of more mature emotional journeys for its heroes, profound expansions of the studio’s own themes and tropes, and a lucrative return to glory at the box office. You can point to
, which all but changed the game in 2013 (and became the highest-grossing animated movie ever released). Round two of the arctic adventure faces an up-mountain journey to regain the fans that time, exposure, and so, so many performances of “Let It Go” have claimed — but a six-year development suggests a story worthy of a wait, and the return of an all-star cast and creative team should confirm that hell will indeed freeze over before
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You'll hear Yuri's name — and its many succeeding exclamation marks — when the inevitable major social momentum sparks around this intriguing gem based on a critically-acclaimed Japanese TV anime about figure skating. The series itself has already stirred up plenty of controversy for its depiction of same-sex relationships in the sports industry, and so its highly-anticipated first feature adaptation ought to do the same — albeit gracefully, poised, and with high marks from the judges.
Animation has always been a medium of long development, so it’s never too early to keep an eye on what’s ahead even after
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