Indian Summer Anime Wiki
Indian Summer (Japanese: こはるびより , Hepburn: Koharu Biyori ) is a Japanese manga writt and illustrated by Takehito Mizuki. The manga was serialised in MediaWorks's monthly Dgeki Daioh before MediaWorks moved the title to the quarterly Dgeki Moeoh. The manga was formerly licsed in glish by ComicsOne and DrMaster.
Koharu Biyori is writt and illustrated by Takehito Mizuki. The manga was serialised in MediaWorks's monthly Dgeki Daioh before MediaWorks moved the title to the quarterly Dgeki Moeoh. The manga is licsed in North America by ComicsOne. The glish licse was transferred to DrMaster after ComicsOne's collapse.
As of February, 2009, MediaWorks has published four tankōbon of the manga. ComicsOne released the first volume of the manga on February 16, 2005.
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The manga was adapted into a three-episode original video animation by Doumu. The anime is licsed in the United States by Stai Filmworks and distributed by ADV Films.
However, with ADV being shut down, distribution was now handled by Section23 Films. It was also distributed in Russia by MC tertainmt.
The original video animations use three pieces of theme music. Apron dake wa Toranaide! (エプロンだけは取らないで! ) by Eri Kitamura is the series' oping theme, while Love Song Kamo Shirai (ラブソングかもしれない , Rabusongu Kamo Shire Nai ) by Eri Kitamura and Satomi Akesaka is the ding theme for the first two episodes. Hora, Attan Kanan Desu (ほら, あったんかなんです ) by Eri Kitamura is the ding theme for the third episode.
Indian Summer (tv Mini Series 2007–2008)
Takaya Murase purchases a maid android. Wh she arrives she is naked except for a ribbon. Takaya removes it and attempts to dress her up in differt outfits to satisfy his clothing fetish. The android claims that Takaya is abusing her and not treating her like a maid. Wh he persists, she reacts by knocking him out with a punch and disposes of Takaya's figurine collection while he is under. Wh Takaya finds out what she has done, the android runs away back to the android store. Takaya chases after her and apologizes for his behavior. He th names her Yui. Yui is touched, however, wh they return to Takaya's apartmt, she finds out that Takaya has filled the room with figurines from his reserve collection.
Yui gets Takaya to take her out of the house, believing that he cannot treat her like a doll in public. Nearby, they see a woman in a revealing costume, trying to comfort a lost little girl. Two passing mikos, Sumire and Ran Midou, accuse the woman of indect behavior and punish her by summoning a giant octopus to assault her. Meanwhile Takaya comforts the girl, learning that she is Ayumi Hagiwara and is upset because she cannot find the lost child that is her mother. The costumed woman introduces herself as Minori Sumitomo and invites them all to her father Tetsushi's cafe, Cafe Cowbeya. Takeshi and Takaya immediately hit it off and challge each other to a dress-up contest, using Minori and Yui as models. There, Ayumi reunites with her mother, Kanae, who is attracted by the competition and winds up joining in. Due to the presce of Kanae and Yui, the shop is packed with customers. Takaya volunteers himself and Yui to help out.
Minori is looking after a baby boy for her relatives while they are moving, but her father calls her back to help out at the cafe. Yui volunteers to look after the baby. With Takaya out shopping, she has to look after the baby by herself. Rummaging through Takaya's closet for something to get the baby to stop crying, Yui finds adult-sized baby clothes and changes into them. The baby suckles at Yui's uncovered breast, but her robot breasts do not produce milk, so she gives the baby a bottle. While changing him, Yui becomes fascinated by the baby's pis, calling it a little elephant. Both Takeya and Minori are scandalized by Yui's clothes wh they return, but she tells them it is an official baby-sitter's outfit.
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Takaya and Yui are helping out at Cafe Cowbeya wh Kuon comes by to pick up a take-out order. Yui thinks she must be the daughter of a well-to-do family, but Minori can tell that she is an android because her eyes look like the eyes of an anime character. Kuon introduces herself to Yui and says she has heard so much about her from the android shop owner. At first, Kuon takes pity on Yui, supposing her to be abandoned, but wh she realizes that Yui is working at the cafe under Takaya's direction, Kuon becomes jealous and insecure: she still has no master because no one has bought her. To prove her worth as a maid, Kuon ters and wins a robot maid competition. Yui also competes but does poorly.
Takaya takes Yui to the beach to cheer her up after her loss. Minori, Ayumi and Kanae all compete for Takaya's atttion, but he only pays atttion to Yui. Yui is too proud to admit that she can't swim and demonstrates her ability to walk on water, but she overheats her groin from moving her legs so rapidly and causes her bathing suit to catch fire. Ev after Takaya teaches her to swim, Yui yells at him and says he should not make assumptions about what she would joy. After an interlude in the bath, where Kanae speaks fondly of her dead husband, Yui returns to Takaya and reconciles with him.
A strange girl rushes into the cafe, calls Takaya by name and hugs him affectionately. Takaya recognizes Sakuya, a customized figurine from the collection that Yui threw away. Sakuya is actually a new product from the MP android company, based on data collected by a chip embedded in the figurine. Sakuya begins reminiscing about Takuya's solo activities ('secret activities' in the glish version), but Takuya is embarrassed and quickly runs out of the shop with her. Back at his home, Sakuya tells Takuya how much she is looking forward to having him do the same things to her that he used to do to her figurine. Yui wakes from about nightmare about this, and asks Takaya why he hasn't customized her. Takaya tells Yui that he likes her just the way she is.
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Yui loses herself in a school role playing game with heavy yuri themes. All the other characters seem to be prest except Takaya, ev the giant octopus. She is just getting to the good part wh Takaya interrupts her. Only th does Yui realize that she was not the only one playing a role.
Takaya has be spding less time at home lately, and has no time for Yui. Yui believes that he is busy with work, but wh she Sakuya reports that she saw Takaya walking down the street with a strange woman, she assumes the worst. Yui and the other girls decide to find Takaya and follow him. Wh they find him and hear the strange woman with him suggest that they go to her place Yui collapses from shock.
Yui lies in a coma. The store manager cannot find anything wrong with her, yet she continues to sleep. Takaya keeps vigil at her bedside, sewing new clothes for her to pass the time. Yui awakes, but pretds to still be asleep, afraid that Takaya will leave her if she gets up. The strange wom who precipitated the crisis shows up (later revealed to be the store manager in casual clothes and with her hair down) and only wh Takaya gets up to go to her does Yui rouse, grabbing his sleeve once again.
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Geon released two Maniac CDs for Koharu Biyori. The first CD, Koharu Biyori Maniacs CD 1 was released on December 21, 2007.
Mania.com's Eduardo M. Chavez criticised the manga for having no plot and a cast that lacks personality. He also criticized the manga for the overuse of the moe anthropomorphism.
Liann Cooper from Anime News Network criticises the manga for having no plot and that the manga's illustrations look like sloppy sketches.
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This manga was the material for me. The artwork really doesn't stand out, neither does the dialogue. I think I would have joyed it more as a monthly strip, as wh condsed, Indian Summer really has no plot progression. It's just a series of episodes where wacky situations happ and panties are shown.— Janet Crooker, Anime Fringe[19]
Mania.com's Chris Beveridge commds the OVAs for its character designs are good, the fanservice just right and it plays things at a slightly differt angle because of the androids and the lack of a real crush/interest in the main characters.
THEM Anime's Carlos Ross criticises the OVA for very juvile writing and further commts that the OVA is not a cleanly or adroitly writt work in regards to pacing. He also criticises the very abrupt, kludgy transitions (particularly betwe episodes two and three) that seem to come clean out of left field.
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