Premiere Pro Toggle Animation Button
Adobe has released Premiere Pro CC 2018 (12.1), available now for all Creative Cloud subscribers.At the center of the release are new smart color and audio workflows, powered by Adobe's artificial intelligence:Adobe Sensei. Learn how to use the Color Match, Auto-Ducking, and Comparison View in Premiere Pro CC 2018 (12.1). As well as the updated Essential Graphics panel, the new Learning Workspace, User Voice Community, and lots more!
Adobe's NAB 2018 marketing focuses on the combined power of the Creative Cloud video and audio applications. This post only covers the new features specific to Premiere Pro CC, not After Effects CC or Audition CC. For example, we do not cover the new Open Premiere Pro Projects in Audition.
This is a LONG post with a lot of deep insights. Features are not organized by popularity, so make sure you scroll all the way through!
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WARNING: Premiere Pro CC 2018 (12.1) is a point update and will overwrite the existing CC 2018 version. It can not be installed side-by-side. You can roll back to the previous version of Premiere Pro CC 2018 (12.0.1) in the Creative Cloud app.
Premiere Pro CC 2018 (12.1) introduces Color Match, the first shot matching color tool in the Lumetri Color panel.Color Match leverages the artificial intelligence of Adobe Sensei to analyze a selected Reference frame and make smart color adjustments.
Compare the looks of two different shots across a sequence of shots and match colors while retaining skin tones with a single click. All changes made are visible and accessible to the user and can be manipulated further if necessary.
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Color Match is found under the Color Wheels tab, now called Color Wheels & Match. Using the new Comparison View (more on this later), users can match the overall color of a shot to any frame in the active sequence with a single click.All Color Match adjustments are dialed in with the Color Wheels, where the results can be manually refined. A separate Face Detection option can intelligently adjust for skin tones, making Color Match even more accurate.
As long as the Reference clip or image is in the active sequence, you can Color Match your clips to anything! Here are two examples of how to get creative with Color Match in your workflow:
There's no doubt Color Match will simplify the color workflows for many editors. We want to remind our readers that, while we love the convenience and accuracy of Color Match, it is not a replacement for the knowledge and expertise of a colorist. We encourage our readers to pursue understanding the art of shot matching, and not become handicapped by this wonderful feature.
Adding, Navigating, And Setting Keyframes In Premiere Pro
There is a new Comparison View in the Program monitor in Premiere Pro CC 2018 (12.1).As seen in the Color Match workflow above, it can be enabled directly in the Lumetri Color panel. There is also a new Comparison View button in the default layout of the Program monitor control bar.
Split your program monitor display horizontally, vertically, or view full images side by side to compare an image before and after color grading. Easily turn the active Lumetri Color effect for a selected shot on or off directly from the Lumetri Color panel. Reset all the Lumetri Color panel selections for a shot with a single click.
It's important to note that Comparison View has two modes: shot comparison and frame comparison.Shot comparison will display two different frames and has the Reference frame timecode, Go to Previous/Next Edit controls, and Timeline slider.Frame comparison will show the before/after state of a single frame. You can toggle between them with the aptly named Shot or Frame Comparison button. Notice below how the monitor names change from Reference, Current to Before, After.
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For both shot and frame comparison, there are three different comparison views. In addition to the default Side-by-Side, Comparison View also has Vertical and Horizontal split views.
When in Vertical or Horizontal split view, you can manually adjust the split by dragging on the center line. Clicking away to a different split view and back again will reset it to the center.
Comparison View is worthy of it's own featurette because it can be used for more than just Color Match, or color correction for that matter. It can be used to compare anything in your sequence, like effects or graphics. Basically, if you can think of a visual before and after scenario, Comparison View can show it. Here are just a couple examples:
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Another great thing about Comparison View is the Lumetri Scopes will mimic Comparison View, including side-by-side, vertical, and horizontal split views. Use Lumetri Scopes in combination with Comparison View to achieve precise shot matching.
The Lumetri Color panel now has its own FX bypass button in the top left corner of the panel. It's a feature that makes toggling color grades on and off much easier. Set a custom keyboard shortcut for Bypass Lumetri Color Effect so you can quickly do before and after comparisons of your grade.
There's also a new Reset Effect button in the top right corner of the Lumetri Color panel, making it easier to start your grade from scratch, instead of manually reseting the controls.
Use Motion Effect To Edit, Animate Clips
The 12.1 version of Premiere Pro CC 2018 will scan a new directory (folder structure) for custom LUTs and automatically install them in the Lumetri Color panel. Here's the catch: you have to manually add the directory yourself. Simply follow these directions from Adobe:
LUTs copied to the Creative folder will appear in the Creative tab of the Lumetri Color panel. LUTs copied to the Technical folder will appear in the Basic Correction tab.
An updated Video Limiter effect is found under the Color Correction effects. New presets as well as some under-the-hood image processing has been added to it. And just to state the obvious, Video Limiter applies to both white and black levels.Apply Video Limiter to a troublesome clip, or to an adjustment layer above the entire sequence. When applying it to specific clips, make sure the Video Limiter is after any color adjustments, otherwise it will give you a false reading.
How To Animate In Adobe Premiere
Select the appropriate legal range for your delivery specifications under the Clip Level drop down. Choose your desired amount of Compression before clipping: 3%, 5%, 10%, or 20%. This applies a soft knee compression that brings the colors back in range, avoiding a hard clip.
Check the box to enable the Gamut Warning to see specifically where illegal colors and compression is being applied in the frame. You can even customize the color of the Gamut Warning. Because why not!
Video Limiter settings can also be applied to a sequence on export. Under the Effects tab in the Export Settings window, select the appropriate Clip Level for your deliverable and choose your desired Compression before Clipping.Export with confidence knowing your video will not exceed legal range for your broadcast.
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Again, another reminder to our readers that slapping the Video Limiter effect is no substitute for the skill of a colorist. We encourage you to learn the skill of grading your footage and staying within legal range of your delivery requirements.
The Position, Anchor Point, Rotation, Scale, and Opacity controls in the Essential Graphics panel can now be clicked to toggle keyframe animation.
Animate more quickly with the ability to toggle on animation for Position, Rotation, Anchor Point, Scale, and Opacity by clicking their icons in the Essential Graphics panel and then adjusting the property in the panel or by editing the graphic layer directly in the Program Monitor.
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Animate the text or graphic directly in the Program monitor without having to go into the Effect Controls panel. (Motion keyframes can be manually refined in the Effect Controls panel as they normally would.
Users can now add color gradients to shape layers directly in the Essential Graphics panel. Click the Fill color to open the Color Picker window, and in the top left drop down menu choose Linear or Radial gradient. Edit the colors, opacity, and midpoints using the sliders in the Color Picker.
You can also adjust the angle and the color points directly in the Program monitor.Use gradients to give your graphics more color, depth, and even to create faux 3D shapes.
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The redesigned Essential Graphics panel and new controls make it more intuitive to edit Motion Graphics Templates. Premiere Pro CC 2018 12.1 allows users to adjust the 2D position, rotation, and scale of elements.
An improved interface and new controls in the Essential Graphics panel make it easier to customize Motion Graphics templates created in After Effects, including adjusting the 2D position, rotation, and scale of elements. Edit text layers of the graphic by clicking on them in the Program Monitor.
A better browsing and managing experience lets you universally search and preview Motion Graphics templates from your local templates folder, Creative Cloud Libraries, or Adobe Stock right in the Essential Graphics panel to quickly find the template you need.
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Search My Templates for templates installed in the local Motion Graphic Templates directory and/or saved to Creative Cloud Libraries. Click Adobe Stock to browse high-quality Motion Graphics Templates that can be licensed directly in the Essential Graphics panel. You can
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