Anime Sword Art Online Episode 4
A twelve year old girl named Silica is our haremette of the week – her extremely rare Feathery Dragon pet gets killed by monsters, and she nearly dies as well, but Kirito pops up out of nowhere and saves her sorry ass. Being the Nice Guy he is, he offers to take her with him and visit a dungeon on a much higher floor, where a rare item can be found which revives a player’s familiar . They visit an inn in town to rest, and meet a clearly sinister female player named Rosalia before turning in for the night. After a gratuitous shot of Silica in her lingerie, Kirito discovers that someone was eavesdropping on their nighttime planning. You don’t get any points for guessing who.
At any rate, the dungeon happens to be on the floor known as Flower Garden, where all the couples hang out and be all lovey-dovey and shit. Typical groan-worthy harem antics ensue as Silica and Kirito venture to the Hill of Memories, enduring attacks by disturbingly tentacle-y plant monsters. Kirito narrates about his past in the real world on the way – when pressed by Silica for a reason as to why he’s helping her, Kirito replies that she reminds him of his little sister back home. But don’t worry, his sister isn’t his sister by blood, of course – she’s only his cousin. You are perfectly justified in rolling your eyes over that entire paragraph, by the way. I certainly did.
Anyway, they manage to grab the revival item, but on the way back the couple is ambushed by a PK guild run by Rosalia, intent on stealing the rare loot. Again proving himself to be an impossibly flat protagonist and an escapist-character adolescent-male-fantasy wish-fulfillment Mary Sue , Kirito simply stands there and takes their blows – he’s at such a higher level, and therefore so much more powerful than them, that it is numerically impossible for the villainous players to harm him. He tosses them all into the jail on the first floor by using a teleport crystal, and then escorts Silica back to town where she goes about reviving her pet.
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In the novel, Silica visited Kirito’s room at night instead of the other way around, and ends up sleeping in his bed. Presumably this was changed to make her seem less desperate. Other than that, there were no major edits for this episode. Next week’s side story was a long, multi-chapter mystery plot in the novels, and it remains to be seen whether it will be cut down into one episode or not. We’ll be seeing Asuna again, as well as some of her plot-important colleagues – but on the bright side, we should also see the return of Egil, who is clearly the best character in this show.
ItsaTimmy’s Thoughts: Tentacles and a loli. Also random and completely unexpected fanservice. this was clearly the best episode of this show yet. Also him just standing there taking hits was snoretastic. This episode wasn’t bad by any means but was her running around in her panties really necessary? And you had to change the whole scene from the novel so you could do just that? For a show that hasn’t showed a peek of anyone’s undergarments thus far it was a very surprising and a bit off putting.
Aqua’s thoughts: Kill me now. Kirito was already showing some signs of being an insufferable, personality-less generic blank slate, but he went above and beyond that this episode. Kirito knows everything, sees everything, always has the right item at his disposal, curb stomps everyone and is loved by all the ladies and feared by all the villains. It has been a while since I have seen a protagonist this offensively perfect. Please, Alright, back for more SAO. No big preamble this time – I thought the last episode was pretty solid, and I’d like to see them build on it. I mentioned at the start of that episode that I hoped they offered some context for Kirito’s choices, and I mentioned in the middle of the
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episode that I wanted him to have more motivation, and last episode went a long way towards answering those complaints – his feeling responsible for Sachi’s death, and her final wish for him to survive and win, seem like pretty solid motivation. I’m guessing he won’t
swear off human contact, considering both Sachi’s admonishment to not blame himself and the simple fact that a show where Kirito interacts with no one would be pretty damn boring, but I
like to see the show more effectively and meaningfully portray his alleged anxiety. So far, it’s been limited to him looking nervous for a minute or two before proceeding to be charming and commanding for the rest of any given episode, and if it’s actually supposed to be a character flaw, it has to have, you know, meaningful repercussions.
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in this show. I’m aware it’s a result of the source material’s format, but it certainly doesn’t lend itself to focused storytelling
0:31 – Jeez, playground politics really do reign supreme in this world. Which, if they’re actually addressing in a more than subconscious way, does play nicely into the imperfect escapism of this MMO world. Even if you play games because you want your “worth” to others to be entirely a reflection of your competence at the game, when you actually
in this world, your “social worth” and how well you can relate to others becomes relevant whether you want it to or not
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2:37 – Nice animation in this scene. This show has a very crisp visual style – I’m personally more often a fan of somewhat impressionistic, loose animation for stuff like this (like how Space Dandy does it), but this style is being executed quite well here
4:48 – “Worth through game competence.” Like Shirou’s complaint at the beginning of Log Horizon – people only wanted him for his knowledge. Well, some people are perfectly happy to
5:24 – THIS SOUNDS LIKE A QUEST FOR A HERO. Obviously, since it was a one-off short story, this was pretty much bound to happen, but… yeah, Sachi’s death clearly no longer a part of the story. Kirito is a generic dude with a black trenchcoat again, not the Kirito who’s defined by the death of a particular character. The events aren’t building off each other, and thus a character story is not being told
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Which means it’s now basically just an adventure for its own sake. Which is reasonable, though not something I generally find the most compelling – I tend to consider plot the raw paint with which we create portraits of humans or explore compelling ideas. And even a plot-focused story is only improved by consistent character arcs and ideas
6:34 – That guy’s head is HUGE. Nice to see these two were able to get over their little fibs from the first episode
8:48 – That’s an interesting detail. It being public knowledge makes me think that somebody’ll be forced to kill someone else and thus become a pariah, or something
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9:04 – Yes we know. Is he thinking that the player indicator’s a lie, because he “killed” Sachi and the others but still has a green hue? Maybe? It’s weird to
these were all random short stories, and so I’m not sure how much I should assume is subtlety and how much just isn’t there
10:48 – Another cute detail. Although, haven’t these people been in this game for well over a year now? Is what skills even do also hidden information?
Sword Art Online: Alicization: Season 4, Episode 40
Man, this episode’s just… really boring. I don’t care about Silica, I don’t care about this generic version of Kirito, and this plot seems totally inconsequential. It’s not exciting on a purely aesthetic front (which, if I’m being honest, is basically all I get out of stuff like Kill la Kill), and it’s not really exploring the ideas of the earlier episodes. It’s just kind of existing
14:08 – Pretty. So was this written after the cousin was actually a character? Because it’s kind of strange having this be the explanation, give we don’t actually know any of this stuff
like the show giving some context to Kirito’s escapism and videogame excellence. A grandfather who doesn’t respect you and a semi-sister you feel inferior to are perfectly good reasons to want to feel strong
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17:57 – Oh man, brutal. But frankly, not particularly different from how trolls tend to always justify their heartlessness – “chill out bro, it’s just the internet.” “You shouldn’t take this stuff so seriously.” Personally, I think the internet just offers a field of low consequences for people to be who they truly are – when people say “I troll because it’s just the internet, ” I hear “I’m a bad human being online because I know there I can get away with it.” Obviously the internet will always dehumanize human engagements, but when you step away from your
humanity, you are making a deliberate choice of your own volition. The internet lets you put on all kinds of faces, including the monster that’s always been inside you
Anyway, I like her defense. Pretty much the fastest way to make me find a
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